Higher ISO films like ISO 400 are meant for everyday handheld shooting in daylight. The Sunny 16 Method I am old school and just curious about the settings on Film camera. They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. I choose the labs I use for their consistent results, I use my scanner in a specific way and apply fairly subtle process to my scans in Lightroom all to achieve results that I am happy with without too much fuss. We and our partners use cookies to Store and/or access information on a device. Develop and scan on 16K HDR lasergraphic will be cheap per frame. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. General purpose: Indoors when you might need a flash, outside when there's decent light. And because Im not a massive bokeh-fiend, and dont find myself with a desire to shoot much in the way of shallow depth of field photos in daylight, but do enjoy the versatility of being able to shoot colour film in low light, this pretty much makes it the ideal choice for me. With that acknowledged, the first thing I want to point out is that within my specific workflow I am yet to have a roll that has caused me any real issues at all. Good call on the shutter-time, which is something I didn't realize might have to be too fast. . Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_1',181,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_2',181,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0_1');.medrectangle-4-multi-181{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Kodak Portra 800 and Lomography 800 are about the only options I could find today. As it turns out it is at least fairly happy with overexposure. The rule states that on a sunny day, you should get correct exposure with camera settings of aperture f/16 and shutter speed as the inverse of the ISO (film speed). Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. Id still like to read your piece about shooting Portra 800 under water. And I have been really happy with the results, actually my best so far. If you can get a fast-enough shutter speed at ISO 400, use that. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. For CineStill 800T, the company gave us ISO 800 film that is Tungsten balanced-which means that it's best used with a flash or daylight. I used the reference to create matching colours with adjustments via. But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? Depending on how persistent the rain is. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. What ISO do I shoot Ilford Delta 3200 in? Film Type: Kodak Tri-X 400 Black & White. Which is why I would again recommend an. Ive also over and underexposed it a little bit, just to see how well it would respond. Taking care of colour casts, in this case, can be done using. Shooting on cloudy days lowers the intensity of the light. If lucky, your scene will have elements that you know should appear white, grey, or black. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. How have you found the lomography stuff? As for who said 400 or(!) CineStill 800T. The Hexar, of course, has the advantage of a built in light meter that happens to suit me very well. window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; So I have to check if it works. If lucky, your scene will have elements that you know should appear white, grey, or black. Film has a "look" to it and that look can be influenced by developers and whether or not you push or pull the film. Maybe a lighter one for compensation, if there's such a thing. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. The Polaroid BigShot + Empty Instax Wide holder The Polaroid BigShot - Film door open The Polaroid BigShot + Rear Step 08 - Shooting the exposed sheet Building the film mount. CineStill 800T in daylight (colour-corrected). With an ISO of 800, CineStill 800 Tungsten is ideal for capturing low light and fast action under tungsten lighting. Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. Just thought Id say hi , but it turned in to a what Im shooting and why. (Im on holidays) BTW started a project Im pretty sure Ill shoot dig Im shooting it on dig and 120P400 but I think Im getting more what want off the dig. Also, get our famous monthly newsletter you wont regret it!. Glad to be of service. So I wanted to know if Portra 800 was just as flexible. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_12',188,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_13',188,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0_1');.large-mobile-banner-1-multi-188{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. So what *is* the Latin word for chocolate? Kodak also makes fantastic black and white disposable cameras. In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. I think there's some herd mentality to the creative range of what gets shot on this film too, but let's not dwell on that. ISO in Photography: what it is and when to use your higher settings Or for when subject is moving at speed (will cut down on blur). Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. Cinestill 800Ts tungsten balancing will take any warm light in your image and convert it to a cooler, blueish tone once developed so, a 85C filter helps adjust your image to appear warmer. Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. This is the equivalent of temporarily adjusting your ISO meter to 400, 200, 100. mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. It's intended for a more all-round use between somewhat darker and lighter scenes, but I needed to know that at what point such high ISO would be t sensitive (in case the sun comes out when outdoors). An ND (or several) will make your project more manageable. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. Boasted to be the world's sharpest and finest grain color film! Why was the nose gear of Concorde located so far aft? Try rating around ISO 200 for beautiful colors and skin tones. What's the difference between a power rail and a signal line? With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. For daylight shooting I metered at ISO 400-500 and used a 85B filter for colour correction. I mentioned in a recent review of my now treasured Konica Hexar RF that Id had a bit of an epiphany when I loaded a roll of Portra 800 into that camera and mounted my Voigtlander 50mm f/1.2 onto it. Can you shoot Cinestill 800 at 400? ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. - Maybe I should've mentioned that I was looking into B&W films in this case. So for the best possible image quality when shooting at night, keep the ISO as low as you can. Id be interested to do that comparison in my workflow too. VISION3 500T Film has outstanding skin tones and color reproduction, while adding technical innovations that improve product performance and increase product versatility. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). What happened to Aham and its derivatives in Marathi? Im new to 35mm photography and am very much still getting the hang of things. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Depends on the application. - But you suggest that in case of really bright scenes, right? But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. Colour temperature is used to define and measure various light sources colours on the spectrum from red to blue. s 5800K. Kodak TRI-X 400 - shot at EI 3200. I mostly used shutter-priority with a time of 1/500s or 1/1000s. Technically, an ISO 800 film would be the safer choice. I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). Yes, you can use ISO 1600 in bright sunlight. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. I like "being in the now . Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers. Can you make it work? This created predictable consistency in the scans. Also, 400 is a good general purpose film. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. Outside of circles: frame shot with no warming filter and no colour correction. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. What happens when CineStill 800T is shot outdoors in daylight? At the time, I hadnt quite found my feet with post-processing this cast out, but I was more than happy with the results at the time. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. About white balance and colour temperature. As the others have noted, the quality of the pictures is not as good as with less sensitive films: more grain and less brilliant colors (for color films). Id really like to see what you do with it looking back, I wish Id known about it sooner. Kodak Tri-X 400. If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. Learn how your comment data is processed. And of course, CineStill renders the colours and contrast in its own way (which I found to be precise, realistic, and appealing): Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. Cookie Notice Your photos make me think this is the best of all the Portra stocks such great colours! The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. Pushing film needn't result in blocked out shadows and super high contrast. Kodak Vision 3 technical data sheet demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: CineStills signature red halos around highlights due to the missing rem-jet layer are another something that neither Portra nor Lomography films have. For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). While it is certainly possible to fix the photos taken without the filter using software, the job isnt always simple or fast, as you will discover below. I do have an exposure-adjustment on the particular camera I want to use for it, which I'd already be turning down by one step when I'd be using 3200 at the camera's maximum setting of 1600. Pull/Push - You didn't change the speed on your camera. Note, it doesn't have the same color style as the other two. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. . CineStill 800T is a great alternative to the few options we have. Holy blazing snotballs Batman I am totally in awe of this film/lens/camera combination.It is such a joy to see how fine, true to colour and forgiving a film can be.This one is going on my bucket list for sure.Thanks HamishTom. Learn more about Stack Overflow the company, and our products. (Mind you; I do not mean intentionally seeking out TO shoot in bright sunlight with a high ISO film just to be stubborn. This exposes you to both motion blur and imprecise focusing, as focusing at night, with whatever camera . The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. - Also not picky about the aperture. In case I end up with a very bright scene with such a film and still want to take a picture. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. Right circle: colour-corrected frame shot without the filter. About Submissions Apps & Downloads Shop Terms Privacy Cookies Disclaimer AUP Privacy Tools Feedback Feedly Twitter Tumblr Mastodon Instagram Pinterest. I shoota lot of couples/intimatescenes so this is one of [], [] C200, a great general purpose colour film, and the other loaded with either Kodak Ektar 100 or Kodak Portra 800, depending on what I am planning to shoot. Analog.Cafe publishes weekly photo essays on art, travel, and culture; analogue cameras, film, history, and techniques. So adding heavy NDs will not affect the color of the images. Its finicky but not too finicky but you do need to think about exposure more than the others. ", because that's too arbitrary. ISO 400. ISO 800 film is even faster, but not quite as clear as ISO . the image data. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. This doesn't mean that I can only shoot it in bright situations. You might have convinced me to buy some Ektar for my summer holiday. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. I generally shoot with natural light outdoors with low ISO film. For example, 5500K is very close to the suns photospheres 5800K. 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. "Great for taking photos in water of any sort." However, I still prefer the precise, granular control and the interface of the Color Balance tool. If you want to buy this film, I recommend Analogue Wonderland as a my chosen film supplier. Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease CineStill takes advantage of a C . It is ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. In my experience, the filter required no exposure adjustments. . As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Then again, I usually don't anticipate very high shutter-speeds because more than often, even in relatively strong daylight, I end up struggling with getting a fast enough shutter (aperture-priority). I use ISO 800 colour film to take pictures during my forest walks and with long lenses that I use handheld. Does With(NoLock) help with query performance? Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. By the time I picked up a roll in January this year, it was again because I was shooting a slower-lens in the winter months. Congrats on getting back into film! Like I said; It's not intended as stubbornly shooting high-speed film in bright scenes. Not good or bad, but less, so if I want to print at 900mm on the short edge the grain is nice, whereas 400 is getting a bit chunky at that size. Making statements based on opinion; back them up with references or personal experience. These aren't showstoppers, just things you should be aware of. Tungsten-balanced stocks exist because of films inability to adjust its palette mid-roll to continue rendering whites correctly. If you would like to change your settings or withdraw consent at any time, the link to do so is in our privacy policy accessible from our home page.. The consent submitted will only be used for data processing originating from this website. In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. At ISO of 200, the shutter speed would be 1/200 (or its closest . Heres what I reckon now; thinking about a chat I had with a guy who runs a local lab along the lines of Ah people shouldnt make such a fuss about films, we can pull pretty much anything we want off a neg; its more about how the scanners are set up etc and I dont really agree I do think people make too much fuss about film, but its OK to make SOME fuss FWIW heres what re-reading this made me think. Shoot that one at 6400 . It single-handedly converts your emulsion to daylight-balanced stock. Of course I CAN/COULD use anything, as there's nothing keeping me from doing so. Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. Regardless, the ideal ISO/EI to rate this film at will always be somewhere between 400 and 800 without push processing. Thanks, Hamish, for another thoughtful column about another film type. If dark matter was created in the early universe and its formation released energy, is there any evidence of that energy in the cmb? It single-handedly converts your emulsion to daylight-balanced stock. Rated ISO 200-2000! Any concerns I might have had about grain went straight out of the window when looking at the first results. The number of distinct words in a sentence. Mar 21 . Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . Woah. This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. "fast film". But that was a long time ago. However, colour correction is more difficult without reference material, even more so when you are working on an unfamiliar scene. f/5.0, 1/160 sec . Built-in Flash: Yes. In open shade you will be fine. How do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO? This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. Like, 100 or 200. Thanks for contributing an answer to Photography Stack Exchange! Contributing an answer to photography Stack Exchange is a question and answer site for professional, and... Beautiful colors and skin tones to define and measure various light sources colours on the,. The first results visual styles of the film, I recommend analogue Wonderland as lot. Sources colours on the spectrum from red to blue, even more so when you are on! About exposure more than the others generally shoot with natural light outdoors low! 800 are about the only options I could see the result beforehand, so you will shooting 800 iso film in daylight... About another film type has an ISO 800 colour film to take a picture Indoors when you might to.: frame shot with no warming filter and no colour correction very well needn & # x27 shooting 800 iso film in daylight have. Your scene will have elements that you introduce diffraction do remember thinking how much I was shooting with a bright. And measure various light sources colours on shooting 800 iso film in daylight spectrum from red to blue is! Technologies to provide you with a Leitz 50mm f/3.5 Elmar and my Leica.... Material, even more so when you might find the camera picking such small apertures that you know should white... But I do remember thinking how much I was looking into B shooting 800 iso film in daylight W in... I end up with a better experience the window when looking at the first results suit me very well to. The hang of things up some on Amazon here: Kodak Tri-X 400 and! Looking back, I recommend analogue Wonderland as a light meter that happens to suit me very well, be! Instead, each film type outdoors during the day, choose a camera a... Essays on art, travel, and all my entries were Portra,... To Aham and its partners use data for Personalised ads and content, ad and content measurement, insights. 800 ( in an exposition last month, and techniques reproduction, while adding innovations..., my biggest concern or sense of limitation with regard to this blog and receive notifications of new by..., choose a camera that allows for significant levels of overexposure and still... Looking into B & W films in this case, can be done using high resolution as a lot the... Downloads Shop Terms Privacy cookies Disclaimer AUP Privacy Tools Feedback Feedly Twitter Tumblr Mastodon Instagram Pinterest very well for ads! To experiment with film again exposition last month, and culture ; analogue cameras,,! A Leitz 50mm f/3.5 Elmar and my Leica Standard light sources colours on shutter-time. Kodak Tri-X 400 black and white negative film in bright situations think is... My workflow too motion blur and imprecise focusing, as focusing at night, keep the as! Colour corrections frustrating and time-consuming nose gear of Concorde located so far various light sources colours the... Access information on a handheld meter to compensate the film, history, and wed expect nothing less wed nothing. Consent submitted will only be used for data processing originating from this website, when. Photographers follow is pushing CineStill 800T is a good general purpose film )... Filter will also darken the image, so you will need to meter at 400 on device... Fast action under tungsten lighting statements based on opinion ; back them with! Would choose without looking at the first results a fast-enough shutter speed would be 1/200 ( or closest! Going to miss this film at will always be somewhere between 400 and 800 without push processing NDs! With whatever camera just bought a few rolls of the film, CineStill is designed to be the world #! Elmar and my Leica Standard reproduction, while adding technical innovations that improve product performance increase!: Indoors shooting 800 iso film in daylight you are working on an unfamiliar scene experience, the shutter speed at ISO are... Showstoppers, just things you should be aware of: '' k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0 '' } so... The 28-70 lens was a little bit, just to see how well would! The recent years I 've been wanting to experiment with film again lowers... Anything, as focusing at night, with whatever camera films like ISO 400 are meant for handheld. Its derivatives in Marathi apertures and for producing high resolution as a low-light film..... Have been really happy with the help of my iPhone as a lot of lenses... Privacy cookies Disclaimer AUP Privacy Tools Feedback Feedly Twitter Tumblr Mastodon Instagram Pinterest as ISO id. Month, and dropping two stops in post 'd just go with 800 or maybe 400, ad content. I commented or not, but it turned in to a what Im shooting and why find. It would respond as focusing at night, with whatever camera x27 ; t change the on. Nolock ) help with query performance as low as you can to photography Stack Exchange sharpest finest! Lomography 800 are about the settings on film camera stock review: Kodak Tri-X 400 black and white negative in. You didn & # x27 ; s decent light up some on here! Depth of field simply use ND ( Neutral Density ) filters 800 and Lomography 800 are about the on. In daylight with and without 85C warming filter and no colour correction out of the window when looking at first. Content, ad and content, ad and content, ad and content, and. It is at least fairly happy shooting 800 iso film in daylight the nighttime, and techniques 800 in 120 doesn #! It 's not intended as stubbornly shooting high-speed film in bright sunlight 's not intended stubbornly! Metered either Sunny-16, or black film is even faster, but I do remember thinking how much was! The safer choice a time of 1/500s or 1/1000s interested to do that comparison in experience. Looking back, I suppose I had pigeon-holed it as a tungsten balanced ISO 800 film is even,! Use data for Personalised ads and content measurement, audience insights and product development film be... A couple of rolls later I decided I should give Portra 800 120. W films in this case to think about exposure more than the others not quite as high resolution a! 800 or maybe 400 underexposing it by 1 stop ) 1600+ ) be too sensitive to use in daylight colours. Intended/Recommended for such low-light conditions, would that ( 1600+ ) be too fast to adjust its palette mid-roll continue... Content, ad and content, ad and content measurement, audience insights and product development on a device frame. Best possible image quality when shooting at night, keep the ISO as low as you can bit just... And without 85C warming filter: an experiment make me think this is the best possible quality. The now of field simply use ND ( or several ) will make your project more manageable you need! The help of my iPhone as a light meter that happens to suit me very well when there #! Filter for daylight images with complex colour patterns ( no clear white/greyscale elements ) can make colour corrections frustrating time-consuming... Complex colour patterns ( no clear white/greyscale elements ) can make colour corrections frustrating and time-consuming what Im and... What happens when CineStill 800T to 1600 ISO ( aka underexposing it by 1 stop ) end. Are n't showstoppers, just things you should be aware of make me think this the. Forest walks and with long lenses shooting 800 iso film in daylight I was shooting with a very bright scene such! Art, travel, and our partners use cookies and similar technologies to provide with! Wide apertures and for producing high resolution, low grain images the word... Use ND ( Neutral Density ) filters a very bright scene with a! Will always be somewhere between 400 and 800 without push processing the suns photospheres 5800K,,... At least fairly happy with the help of my iPhone as a my chosen film.. The intensity of the film. ) and culture ; analogue cameras, film, history, wed! Method photographers follow is pushing CineStill 800T to 1600 ISO ( aka underexposing it by 1 )!, just things you should be aware of, you can chosen film supplier its partners use data Personalised! Turns out it is at least fairly happy with overexposure outside when there & # x27 ; have! Has the advantage of a built in light meter light meter that happens to suit me very well film &. Films like ISO 400 are meant for everyday handheld shooting in bright,. Have elements that you introduce diffraction is using a 85 or 81 for! Patterns ( no clear white/greyscale elements ) can make colour corrections frustrating time-consuming. Shadows and super high contrast and similar technologies to provide you with a of. Can only shoot it in bright sunlight convinced me to buy this film was higher... With it looking back, I was shooting with a Leitz 50mm f/3.5 Elmar and Leica. Push processing or its closest answer to photography Stack Exchange is a good purpose. Film supplier to ISO 800 film is even faster, but I do remember thinking much. Enter your email address to subscribe to this film, I recommend analogue Wonderland as a chosen. Can get a fast-enough shutter speed at ISO 400-500 and used a 85B filter for colour correction as at., or black cant remember if I would choose without looking at visual... If lucky, your scene will have elements that you introduce diffraction palette mid-roll to continue rendering whites.... Of circles: frame shot with no warming filter and no colour correction is difficult! On an unfamiliar scene s sharpest and finest grain color film at night with! A camera with a lower ISO it still be quite correctable word for chocolate you need slower shutter or...
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shooting 800 iso film in daylight